Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Wednesday, December 31, 2014

What’s Your Slogan for 2015?

I used “Off to the Races” for 2014, since it was the Chinese Year of the Horse. This next one, from what I can tell, is the year of the Sheep/Goat/Ram. I’m not crazy about any slogans I’ve come up with for those. (Although the Chinese Zodiac doesn’t actually start until 2/19, so I have some time on that one.)

RAM INTO 2015. LET’S MUNCH THIS YEAR. LEAP WITH THE SHEEP.

I’ve used rhymes for my slogans in past years. KEEP ON REVVIN' IN 2011 was one. Maybe not a good one, but it worked for me. There was also DELVE INTO ’12. (These are used with an exclamation point, of course.) LUCKY 13 could probably only pertain to me, or to others who consider 13 their lucky number. I looked up a couple of even older ones, 2009 was TIME TO SHINE and 2010 was alternately GET ‘ER DONE and YOU CAN DO IT.

Here’s what I do with my slogans. I post them at the end of my daily pages every day as inspiration, motivation, and encouragement. Maybe, come to think of it, these shouldn’t properly be called slogans.

But, back to the problem. 2015? I found some rhymes at http://www.rhymer.com/RhymingDictionary/fifteen.html
How inspirational are the words spleen, teen, bean, mean. Maybe I could do something with keen. Obscene, gangrene? Submachine, kerosene. Libertine, nicotine.

KEEN ON ’15. I kind of like that.

As I left the allergy clinic where I get shots once a week, the receptionist remarked that she was glad to see this year go. I think I am, too, and I was glad to see last year go. So maybe 2015 WILL be keen. Let’s hope so!


Sometimes I just end my pages with ONWARD! That always works. You can’t go back!

Wednesday, November 19, 2014

Only as Good As?

They say a writer is only as good as her last book. True, very true. If you’ve turned out a string of pearls and deliver a lump of coal, that’s what you’ll have to overcome in the next book.

I don’t think I’ve done that yet. Not to brag (OK, it’s bragging), but one reader says each Duckworthy book is better than the last one. I’m not examining that sentiment far enough to see what it says about the first two. Nope, not doing it.

But what occurred to me yesterday, as I completed a scene that I very much like, and one that popped up all on its own, as they are wont to do, is that maybe a writer is only as good as her last chapter. Her last paragraph? Her last sentence?

No wonder writers exist in a constant state of mild anxiety, broken up by periods of sheer terror, usually induced by deadlines.

Am I overthinking this? Maybe not. After all, you can’t stick awful sentences into your paragraphs and just continue on your blithe way. They all have to be crafted. They all have to hang together. Nothing must impede the reader, speeding through your deathless prose, turning the pages into the night—ideally.

When we do put in a stumbling block, we sure do depend on our beta readers to point those out to us so we can smooth the way.

This is very much on my mind as I finish up the second Fat Cat book and embark on the third. The first one was so well received, that I can’t believe the second one will measure up, let alone the third. All I can do is write the best book I can and fling it out there. Talk about a wing and a prayer!


I will add that I depend on my publishers’ editors to keep me on the straight and narrow to producing an entertaining book. However, it’s my name on the cover, right? One of my names, anyway.

This blog is duplicated at Janet's place,http://janetcantrell.blogspot.com/. 

Wednesday, June 4, 2014

The Travels of Edith Maxwell

This woman has traveled! She's been to places all over the map. Here's Edith--read on:

Thanks so much to Kaye for hosting me here again.

I've been thinking about how traveling is like writing, how living in another country is like writing a novel. In my adult life, I have lived overseas for various periods of time: from half a year to two years in almost a half-dozen countries. Brazil for a year as young seventeen-year-old exchange student.
Just home in 1971 from a year in Brazil
 Japan for almost two years, teaching English and living with an American beau who was in the US Navy.
With friend Tomoko in Japan, 1977
 France for half a year with my husband and infant first-born. Mali for a year with same husband, same first-born, and the second-born, when they were five and two. Burkina Faso for a year when the boys were twelve and nine.
With a diviner and her grandson in Burkina Faso, 1999

Before I packed my bags and headed for a new home, I'd mostly never been to that country before, with brief exceptions for France and Mali. I'd certainly never lived in any of those places and didn't really know what to expect. The language, people, and culture revealed themselves to me as time went on. When I came home, I was done with that life. I haven't returned to live in any of those places, and only to Brazil did I go back for a brief visit. I’ve made plenty of repeat visits to places in the US and Canada, but I haven’t returned to live on other continents.

Writing a book is like that, too. When I start, I might have an idea of where I'm going, but I don't really know the story. I've never written it before. I create a cast of new characters to go along with the core series characters, and these new people gradually reveal themselves to me: the way they talk, their problems, their joys. And after I turn in the book, I'll never write it again. I’ll refer back to it when I write the sequel, talk about it at a library event or on a panel, or write a blog post about it, but basically I'm done with that story and moving on to the next. 
Where Edith writes


Since the books I write are all set in northeastern Massachusetts (so far), my research keeps me at home. I haven't lived overseas since I started writing novels in earnest in 2009, although I have visited Costa Rica and Puerto Rico, and am planning a trip to Italy in a couple of years. I guess I'm doing my traveling in my head and on the pages these days. And I love it.

Readers: do you repeat visits to far-off places? What would be the one place you’d like to go back to again and again? And do you reread books?

Here's Edith's biography and contact information: Edith Maxwell writes the Local Foods Mystery series (Kensington Publishing), the Speaking of Mystery series under the pseudonym Tace Baker, featuring Quaker linguistics professor Lauren Rousseau (Barking Rain Press), and the historical Carriagetown Mysteries, as well as award-winning short crime fiction.

A mother, world traveler, and former technical writer, Edith lives north of Boston in an antique house with her beau and three cats. She blogs every weekday with the Wicked Cozy Authors. You can find her here:
@edithmaxwell


Wednesday, February 19, 2014

It's all relative

I guess you’ve heard that an asteroid missed us a couple of days ago. It missed by two million miles. That sounds like a lot, except that most things in space are light years away. One light year is equal to this many miles: 5.87849981 × 1012 miles. I’m not even sure how to say that. So two million is pretty close!



So many people have been so cold this year. But you haven’t been this cold. In Oymyakon, you can’t wear glasses outside because they’ll freeze to your face. Everyone has outhouses because the plumbing doesn’t work!



Even 20 below doesn’t seem cold compared to what these people live with, an average temperature of minus 58 F. 















In real life, extremes aren’t all that good. Nice, medium temperatures and nice, even temperaments are the easiest to deal with.















However, in fiction, that’s dull fare! The asteroid just missing earth (better still to miss by 50 miles) and the extreme cold (maybe without adequate clothing for an intrepid hero or heroine) make people keep reading, don’t they? It’s all about tension and danger. 


That’s why it’s essential to make fictional people bigger than life, more extreme, more out there. It took me a long time to learn this, but what’s a long time? It’s all relative.



photos from morguefile.com

Wednesday, December 4, 2013

Weather and the Writer

I’m sure that, if you’re a writer, you’ve used weather to set the mood or to impede your intrepid main character, or something like that.

But how do your own personal attitudes color your writing? If you love spring, do you use fall and winter--maybe even summer--for hostile settings? If you love fall, could you describe spring lovingly?

I love winter. I dwelt on the cold a lot in my one (so far) Neanderthal novel. In fact, one day I finished up a writing session that had gone on for two or three hours. I had been writing of the impending doom of the cold season and the scarcity of game. I had literally been shivering and my toes were icy. But when I woke up from writing, I was shocked to notice that it was the depth of August in Texas and it was, in fact, sweat-dripping hot out. When the sun coming in the window hit my eyes, I blinked, it was so bright after the darkness where I’d been.


Everywhere I’ve lived, April has been a lovely month. Spring is easy to like, tender blossoms and color bursting forth from ground that looked dead so recently. 










Autumn is gorgeous almost everywhere, too--everywhere that it occurs. That time of year gets my blood going. I can easily write about the colors of the trees and shuffling my shoes through the dry, crackling leaves.













Could I write about summer so lovingly? I’m not sure. We lived in Texas for nearly thirty years and each year, more and more, I dreaded the advent of summer. (There are only two seasons in Texas, after all: summer and another season that is not summer.) Now, living in Tennessee, I’m overjoyed at the frosty mornings and the fact that I can wear sweaters without discomfort. I even bought a pair of boots to wear with skirts. Heretofore, for many years, I’ve worn sandals nearly year round. 


What’s your favorite season, and how does that affect what you write?

Some seasonal poetry for your pleasure--here’s the Middle English poem about summer:

Sumer is icumen in,
Lhude sing, cuccu;
Groweth sed
and bloweth med,
And springth the wode nu;
Sing, cuccu!

Awe bleteth after lomb,
Lhouth after calue cu;
Bulluc sterteth,
Bucke uerteth,
Murie sing, cuccu!

Cuccu, cuccu,
Wel singes thu, cuccu;
Ne swic thu naver nu.

Sing, cuccu, nu; sing, cuccu;
Sing, cuccu; sing, cuccu, nu!

[Spring has arrived,
Sing loudly, cuckoo!
The seed is growing
And the meadow is blooming,
And the wood is coming into leaf now,
Sing, cuckoo!

The ewe is bleating after her lamb,
The cow is lowing after her calf;
The bullock is prancing,
The billy-goat farting,

Sing merrily, cuckoo!
Cuckoo, cuckoo,
You sing well, cuckoo,
Never stop now.

Sing, cuckoo, now; sing, cuckoo;
Sing, cuckoo; sing, cuckoo, now!]

Then there’s this parody by Ezra Pound:

Winter is icumen in,
Lhude sing Goddamm,
Raineth drop and staineth slop,
And how the wind doth ramm!
Sing: Goddamm.

Skiddeth bus and sloppeth us,
An ague hath my ham.
Freezeth river, turneth liver,
Damm you; Sing: Goddamm.
Goddamm, Goddamm, 'tis why I am, Goddamm,
So 'gainst the winter's balm.
Sing goddamm, damm, sing goddamm,
Sing goddamm, sing goddamm, DAMM.

pictures from morguefile.com

Wednesday, November 6, 2013

Trimming

You may have been my facebook post on this, but I’ve been thinking more about this operation. Our neighbor had a very tall tree taken down today. A large limb had destroyed the garage roof, and this was just after the whole house had been re-roofed. The insurance company paid to finish taking the limb down, but the entire tree needed to be removed so it didn’t continue to fall on the house!








I’m afraid of heights, so the guy in the cherry picker fascinated me. I think they call it a bucket, though. The other impressive part of the operation was the choreography. The guy in the bucket would slash the limbs off, letting them fall gracefully to the ground--but with a loud thump (and probably some holes in the ground). At an unseen signal, he would quit cutting and the ground crew would step in and heft the logs to the wood chipper (great murder weapon, I was thinking). I watched and watched for communications between them, but they all seemed to just know when to get out of the way of falling limbs and when to gather them up.






Those are good writing lessons, aren’t they? Trimming out the dead wood--and pacing. When to step it up and when to slow it down.

The only worrisome part was the guy who kept a constant cigarette going around all that sawdust!



Wednesday, October 9, 2013

If You're Near Austin

I’m SO proud of the writing group I belonged to when I lived in Austin, Texas! They’re still writing, turning out priceless prose, some with publishing success, some are still breaking in. But all of them are out there swinging. The event they’re putting on, Anatomy of a Mystery, is just an example. On November 9th, at Book People, the free sessions will run from 9:30 to 2:00, with presentations by Reavis Z. Wortham, Karen MacInerney, and Janice Hamrick, all successful local writers. After the last presentations, the audience has a chance for discussion with the authors. There is also special swag available for the first 25 attendees.

They’re called Austin Mystery Writers. Check out the flyer: https://www.facebook.com/photo.php?fbid=715858455094342&set=oa.415419301913685&type=1&theater

Here’s the facebook page also: https://www.facebook.com/events/195810233934581/


I’m loving living in Tennessee, but wish I were back in Texas for November 9th!


Wednesday, July 10, 2013

Remodel and Rewrite

We’ve just completed a remodel of our master bath. It’s a small room, so it wasn’t too complicated, it seemed to take forever.




The harvest gold wasn’t the main problem (I still think it’s a pretty color), but the non-functioning faucet and obvious leakage behind the tiles was.






The whole thing was stripped down to the bare walls. Well, beyond the bare walls, actually. To the studs in places. Then, over the last 3 weeks, a brand new bathroom was created.









This reminds me of some stories I’ve written. It also reminds me of a novel I’m presently gutting and redoing. I’ve been fiddling around with the sequel to EINE KLEIN MURDER, which I’m calling REQUIEM FOR RED as a working title. The bones are there. I guess those are the bare studs. But things need to be moved around and rearranged. I’m looking forward to having a new novel out of this eventually

Wednesday, May 22, 2013

A Special Anniversary



Now, onto my topic~~



Last week was the anniversary of a day when my efforts of ten-plus years paid off. On Monday, the 14th of May, 2012, I talked to Kim Lionetti on the phone for nearly two hours. At the end of the conversation, I had agreed for her to be my agent!

In the year since then, a lot has happened. She set me to work on a project that she and her partner, Jessica Faust, had come up with. I hadn’t even finished it, though, when a chance for a work for hire cozy came to her from Berkley Prime Crime. It was a mystery set in Minneapolis, featuring an overweight cat name Quincy, and his mistress, Chase Oliver, the co-owner of a dessert bar shop. (A work for hire is written to the publisher’s idea, and the publisher will own the copyrights--but I’ll get paid normal royalties, etc.)

This was right up my alley for a couple of reasons. (1) I am a long-time cat owner and my most recent cat, Agamemnon, was a clever rascal, also slightly overweight. I would model the cat after him, although I’d change his coloring. I thought an orange tabby would look better on the cover than a black shorthair with extra long fangs. My cat had been a rescued feral and I swear he was reverting to saber-tooth tiger. You could see his fangs when his mouth was closed! He could be very sweet, but was exasperatingly smart. On several occasions, I saw him climb onto something next to a closed door and attempt to turn the knob. If he’d had a thumb, he could have done it.

(2) I once lived in the Minneapolis area for a little over 3 years. I’ll admit, it is my favorite place I’ve ever lived, and I’ve lived in a lot of places. My puzzlement was--how to set a cozy in the place where the darkest noir crime novels take place. Should I put it in Minnetonka, where we used to live? Hopkins, the next-door suburb, a bit closer to the Twin Cities themselves? My husband came up with a place he remembered from our stay there: Dinktytown. The name was perfect, but would it do?

I googled it extensively, a cute little area of just a few square blocks on the edge of the U of M campus, nestled between the campus and the Mississippi River. It’s on the east side of the river, where St. Paul lies, but this portion is technically Minneapolis--I checked. I got in contact with the president of the Dinktytown Business Association and he was supportive and kind, even sent me an excellent map of the area done cartoon style, highlighting the local businesses.

The upshot of all this is that I got a workable outline put together, wrote the first three chapters, and sent them off. I was in shock after I landed my awesome agent, but even more shocked when my proposal was accepted!

I got to meet Kim at Malice Domestic this year and she’s just as awesome in person as by email and phone. I can’t believe what a whirlwind this last year has been. (Plus we moved twice--yikes!)

This news has all been announced previously, but, for this anniversary, I thought I’d give some details on the background. I’m now about 3/4 (or maybe a little more) finished with the first draft of the as-yet-untitled first in the three-book FAT CAT series. It’s going well and I love the characters, especially that rascal, Quincy! (Look for the book sometime around the fall of 2014.)

Photo from Dreamstime

Wednesday, March 20, 2013

Guest Post: The World According to Birders


I totally goofed up today and did not post my guest blog for James M. Jackson! He got it to me in plenty of time and neglected to post this! I can't not do it, though. You'll LOVE it. Here's a bit about Jim:

JAMES M JACKSON is the author of Bad Policy for Barking Rain Press. Known as James Montgomery Jackson on his tax return and to his mother whenever she was really mad at him, he splits his time between the woods of Michigan’s Upper Peninsula and Georgia’s low country. Jim has published a book on contract bridge, One Trick at a Time: How to start winning at bridge, as well as numerous short stories and essays.

Please visit http://jamesmjackson.com/Novels/novels.html where he has a continuing updated list of places that carry the book and http://bit.ly/146LaXR where people can read the first 4 chapters and get a 35% off coupon from Barking Rain Press.



Now, here's his post~~~~~

I have been a birder (note, not bird watcher) for over 35 years. Most birders keep lists: a life list of all the different birds they have seen, state lists, county lists, backyard lists (where I spotted this red-shouldered hawk). Many keep total lists as well as lists for each year. I was the same way for the first half of my birding life, but since then other interests have captured more of my time and attention.

My partner, Jan, and I love road trips. For me, there is nothing like seeing a biome first-hand to start to understand its history, its people, and yes, its birds. Neither one of us had been to the Rio Grande valley. 
This January we rectified that gap in our experiences.

While we enjoy road trips on our own, I know I learn more about a region using professionally guided field trips. In addition to the guide there were eight of us on the tour. Jan is not a birder. She enjoys seeing the geography, loves walking outdoors and prefers looking at ducks because they are big and stay still. Those LBJs (little brown jobbers) that flit from perch to perch, hiding behind leaves are not very interesting to her.

One of our other members was a new birder. Several had been in the area several times and had joined the trip in hopes of seeing two or three specific birds they had previously missed. My rusty skills left me in the middle of the pack between these two extremes. And frankly, these days I would just as soon spend an hour watching a robin working over a pile of leaves for a morsel as see a brand new bird. But truth be told, I would not drive hours to see a robin, but I would for a new-for-me bird!



One of the things I do when I’m not out looking at birds is write. It’s one of the reasons I enjoy seeing different parts of the country. I won’t place a character in a locale if I don’t have some experience there.


If the birding is slow, I start to think about how a story might fit a particular local. For example, the Rio Grande is not very wide and the Border Patrol folks travel the river in high-speed boats you can hear ten minutes before they arrive. So smugglers…

Or I start thinking about how characteristics of the people I’m traveling with might flesh out a story. Some people are like the long-billed curlew above right or the common pauraque above left, whose camouflage makes it seem one with the environment. You need to look closely at the curlew picture to see how long its bill is. And if you don’t already know where the bird is, you may never spot it in the field, even though it’s almost two feet tall. If someone had not pointed out the common pauraque I would have passed it by.

Others stick out like this green kingfisher. They wear bright colors as if to say, “Look at me! Look at me!” When we do look closely, we notice the mud on its bill from capturing a tasty morsel from the mud.

Some just want to be left alone, like this yellow-crowned night heron trying to ignore me while I took its picture. Some, like this scaled quail, have no clue of the impression they make on others as they go about their business.


Now being a birder is not without its problems, one of which is being engrossed in a movie when from the middle of an Amazonian jungle comes the haunting ululation of a common loon. The call might be perfect for the mood of the scene, but someone would have to kidnap a common loon to get it to visit a South American jungle. It’s North American and prefers open water.

Sometimes the sound techs will get a bird in the right habitat, but wrong season, and I’ll hear a warbler signing its mating song in the middle of winter.

I use my love of the outdoors and of birds in my writing. None of my characters, so far, has been an avid birder. Seamus McCree, the protagonist of my mystery Bad Policy, does enjoy birding and often makes references to birds.

For example, Seamus’s girlfriend (a bodyguard) has been away on business for a long time and Seamus is wondering what their status is but hasn’t figured out how to resolve the situation. He takes a run in a nearby park and the comparison between his life and what is natural slaps him in the face.

On my run, I purposefully slowed my pace and added a loop to include Burnett Woods, where the trees sang with spring bird migration in full swing. Coupling was in the air and in the woods. I was having difficulty putting one foot in front of the other. If you don’t like the way things are going, I chided myself, do something different.

Seamus also uses his grounding in bird nature to make comparisons. He and his son are eating. He has no appetite because someone has just been killed. Not so his son, Paddy.

Paddy, who still had the metabolism of a hummingbird, eyed my plate and at my nod swapped his empty one for mine.


We learn Seamus feeds birds in this sequence when he is being interrogated by the police and first finds out why they have taken him in for questioning.

“When were you last in your basement?” [the cop asked]
“My basement? I have no clue. Maybe to get food for my bird feeders? Tuesday? Wednesday?” I wracked my mind trying to piece together the last week, but my sleep-deprived brain didn’t work. “Look. I’m tired. I’m hungry. I want to help because whatever you’re investigating, I didn’t do it. Is Abigail okay? What happened?”
Lewis snapped his fingers at the sergeant who brought over a 4x6 print, which he laid face down on the table between Lewis and me.
“Go ahead,” Lewis said. “Take a look.”
I searched their faces for a clue, but they sported flat cop eyes—daring me to turn over the photo. Instinctively, I picked it up by its edges. Not that I didn’t trust them…actually, I didn’t trust them. For whatever reason, I mentally counted to three before flipping the print over. I gagged. A nude man, his face blown away by a shotgun blast, elbows, knees, and ankles shattered, burn marks on his chest, sat in my basement on one of my porch chairs. Orange adjustable straps, just like the ones I owned, held his body to the chair.

All those scenes from Bad Policy took place in the Cincinnati area where we lived for many years. Now that we’ve visited the Rio Grande Valley, I might be able to add a future scene from that area—as long as the point of view is from a character who hasn’t spent much time there. If the character actually lived in the area, I’d have to go back and study it more---hmm, that’s not such a bad idea…


 ~ Jim



Wednesday, March 13, 2013

Guest blogger and contest! F.M. Meredith



  I'm pleased to be hosting prolific mystery writer, F.M. Meredith, sometimes known as Marilyn. Please be sure and notice the comment at the bottom about her contest!

Places I’ve Traveled as a Writer

Never would I have gone to Anchorage, Alaska if it hadn’t been for Left Coast Crime first and a few years later, Bouchercon. The first time, I also visited a school in a tiny village called Kwithlik. To get there, I traveled in a Suburban on a frozen river. (Scary!) The second time, I stayed in Wasilla with a Native friend who I met on the first visit.

church in New Orleans
My first and only trip to New York City was to attend Edgar week and the Edgar awards. I was in awe the whole time I was there—it looks just like it does in the movies and TV.  (I know that sounds dumb, but I couldn’t help just staring at everything that seemed so familiar.) From there, my friend and I took the train to Washington DC and then on to Arlington, VA for Malice Domestic. I attended Malice a second time and included a visit to my husband’s hometown in Cambridge MD.

Hawaii
When I was asked to be an instructor at the Maui Writers Retreat, I didn’t hesitate a moment to pack my bags and jump on a plane. Of course I took hubby too, and he had a great time while I was busy working with students all day. Besides being in a beautiful place, I had a great time.

Because of various mystery cons, I’ve visited places I’d never have thought of visiting, sometime with hubby sometimes by myself: Bellevue and Seattle WA, Austin, El Paso, Plano and San Antonio TX, Madison and Milwaukee WI, New Orleans LA, Oklahoma City OK, Orlando and Tampa FL, Nashville TN, Portland OR, and Virginia Beach, VA.

We fell in love with Omaha NE when Mayhem in the Midlands (now sadly no more) met there for ten years.

Though I may have visited Las Vegas and Reno NV with my hubby, I’ve also gone there for writers’ conferences.

Sedona AZ
I’ve been to one end of California (Crescent City and Redding in the North, to Temecula and Dana Point in the South) and from coast to coast, giving talks at writers’ conferences and attending Left Coast Crimes and Bouchercons.

Now I’m back on the road again to promote the latest in my Rocky Bluff P.D. series, Dangerous Impulses. I’m headed to Epicon in Vancouver WA this month. and have various places in California to go. In July it’ll be off to Vegas for the Public Safety Writers Association’s annual conference.

Thank you, Kaye for letting me tell you about places I’ve been. It’s been a wonderful experience with great memories.

Now a bit about Dangerous Impulses:

An attractive new-hire captivates Officer Gordon Butler, Officer Felix Zachary’s wife Wendy is befuddled by her new baby, Ryan and Barbara Strickland receive unsettling news about her pregnancy, while the bloody murder of a mother and her son and an unidentified drug that sickens teenaged partiers jolts the Rocky Bluff P.D.
Buy it here: http://tinyurl.com/byxomtk

Contest:

The person who comments on the most blog posts on this tour may have a character named after him or her in the next Rocky Bluff P.D. crime novel or choose a book from the previous titles in the Rocky Bluff P.D. series in either paper or for Kindle.

Rocky Bluff P.D. Series:

Though each book in the Rocky Bluff P.D. series is written as a stand-alone, I know there are people who like to read a series in order. From the beginning to the end:

Final Respects
Bad Tidings
Fringe Benefits
Smell of Death
No Sanctuary
An Axe to Grind
Angel Lost
No Bells
Dangerous Impulses

F. M. Meredith’s Bio:
F.M. is also known as Marilyn Meredith, the author of the Deputy Tempe Crabtree series. She first became interested in writing about law enforcement when she lived in a neighborhood filled with police officers and their families. The interest was fanned when her daughter married a police officer and the tradition has continued with a grandson and grandson-in-law who are deputies. She’s also serves on the board of the Public Safety Writers Association, and has many friends in different law enforcement fields. For twenty plus years, she and her husband lived in a small beach community located in Southern California much like the fictional Rocky Bluff. She is a member of three chapters of Sisters in Crime, Epic, and Mystery Writers of America.

And I’m on Facebook and Twitter as MarilynMeredith

Tomorrow I’m visiting here: http://deniseweeks.blogspot.com/







Wednesday, January 2, 2013

Enough about cliffs!


We went over, we didn’t go over. We’re not going to, we are going to. I feel more than a little queasy. And it’s not from my fear of heights.

OK, I have vowed not to get political in public, so, in light of the fact that the crisis is, at east temporarily, shelved, let’s get on to the more pleasant business of writing.

I’d like to recap my 2012 here, for my own sake, and kind of as a picture of what can happen to a writer, especially if she keeps at it.

My goals for 2012 were:

Publish at least 2 books and 6 short stories.
Write 2 hours a day M-F, or 5 days a week.

Here is my list of short stories:

SHORT STORIES ACCEPTED:
THE TAKEOVER Kings River Life Magazine, June 9th
(A FINE KETTLE OF FISH - Second Wind, June (published on their webpage))
RATTLED America Southwest Border Noir Anthology, December NOT PUBLISHED
MY HUSBAND He Had It Coming Anthology by Gryphon's Lair, end of August
AS THE SCREW TURNS (Imogene Duckworthy story) Mysterical-E, Spring/Summer
YOU CAN DO THE MATH reprint King's River Life Aug 4 issue
COLOR ME BABY BLUE reprint King's River Life Sept 15 issue
DEVIL’S NIGHT reprint King’s River Life 10/11 issue
THE LAST WAVE in NIGHTFALLS Dark Valentine Press anthology 12/1

The second one, A FINE KETTLE OF FISH, was unfortunate. Since it appeared on their web page it is, officially published, but then it was not accepted for their anthology. I plan on trying to get a different version of the story published elsewhere.

One more story was accepted in 2012, but will be published this month.
YELLOW ROSES in Texas Gardener magazine January 23, 2013

I took back my rights from Mainly Murder Press when we parted company and was able to self-publish a second edition of CHOKE, and also the second and third Imogene Duckworthy mysteries, SMOKE and BROKE. SMOKE occurs around the Fourth of July and BROKE at Halloween, so I wanted to get them out then, and I succeeded!

My BIG accomplishment of 2012, though, was signing with an agent at BookEnds LLC, Kim Lionetti! Within a few months of our connection, she secured a three-book deal for me with Berkley Prime Crime. I was able to get about a third of the first book in that series written by the end of 2012 and feel I’m on schedule with that. (I hope!)

One more accomplishment. We bought a house in Knoxville and will move there at the end of this month. It feels like we just moved, for some reason. Oh wait--that’s because we did, 7 months ago. Luckily, we have over 90 boxes that haven’t yet been unpacked, so they won’t need repacking. Aren’t we smart? What, lazy? No, that’s smart, I’m pretty sure. Sort of sure.

Wednesday, November 14, 2012

Weather and Books


We’ve all watched with horror what the weather has done to the East Coast just now. All of us who weren’t actually there, suffering, that is. It’s got me to thinking about weather. I have a problem with one of the things writers are warned about: Never start your book with the weather. I’m sure you can do this badly, and maybe enough writers have done so that the warning came about. But you can do it well, too.

Crime and Punishment by Dostoyevsky
On an exceptionally hot evening early in July a young man came out of the garret  in which he lodged in S. Place and walked slowly, as though in hesitation, toward K. Bridge.






The Idiot, same author
Towards the end of November, during a warm spell, at around nine o’clock in the morning, a train of the Petersburg-Warsaw line was approaching Petersburg at full steam. It was so damp and foggy that dawn could barely break; ten paces to the right or left of the line it was hard to make out anything at all through the carriage windows.

Bleak House by Charles Dickens
London. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud on the streets, as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus forty feet long or so, waddling like an elephantine lizard up Holborn Hill.

Those are two of my favorite authors and they may not be yours, but I don’t mind following in their inkprints.

I consider the weather extremely important. It dictates what my characters are wearing, how they get around, what noises they’re hearing and seeing, even what they’re smelling when it rains, and in the aftermath. It needs to fit the season. If I set a book in October, my characters have to be conscious of the fact that Halloween is coming, and in many places the weather will be making a major shift that month.

Hemingway agrees with me. He said, "Remember to get the weather in your god damned book - weather is very important."

There is a problem, though. Weather can be verrry borrring. Just listen to back-to-back news programs where the weather is talked about for five minutes on each show, whether or not it’s doing anything at all. Also, it’s such a pervasive part of our lives that it’s too easy to use clichés in descriptions. You’ve heard this: “Everyone talks about the weather, but no one does anything about it.” The fact is, everyone DOES talk about it. “How enough for ya?” “We sure could use the rain.” “How many inches did you get?” Those are common ways to greet each other in Texas. It’s hard to find something new to say about sunshine, rain, snow, and wind. But you can do it!

I like to tie the weather to one of two things. Either what’s happening in the plot, or to my character’s mood. Sometimes it can be used for contrast, sometimes to underline. And sometimes you can bring on a tornado or a storm or a drought and make it part of the plot.

How do you use weather in your writing? Do you think it’s important, or of secondary importance?

Sunny Day Cuba is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

All other pictures are from commons.wikimedia.org.