Showing posts with label James M. Jackson. Show all posts
Showing posts with label James M. Jackson. Show all posts

Wednesday, June 19, 2019

Something New for Me!


I got an invitation out of the blue this week and I’m eager to tell you about it. Another new road for me.



E. B. Davis, a mystery writer I’ve known for some time, asked if I would like to fill an upcoming vacancy at the excellent blog, Writers Who Kill. I thought it about it long and hard for about two minutes.

I’ve followed this blog for a long time and know at least a little about all the bloggers, and am good friends with most of them.

James M. Jackson, author of the Seamus McCree mysteries, is stepping down to do other writerly things, so I’m filling his spot, which is every other Sunday.

I’m still blogging once a month at Killer Characters, wherethe characters do the talking. And I’ll keep up with Travels with Kaye. My intention here has always been to blog once a week, but I admit I’ve been lax lately, so maybe not quite once a week. In fact, maybe every other week. That sounds about right.

Most of the blogger pictures at the side of the new place contain lethal weapons, so I dug out mine from a Writers Police Academy. I believe it’s the only picture of me with an actual lethal weapon. I could totally fire it and I would totally shoot nowhere near the target. I’m a terrible shot.

I’m looking forward to joining the group there! I hope some of you reading this will follow me over and check out the other writers there, too.

new road photo by johnlindsay at morguefile.com

Wednesday, September 7, 2016

Guest Jim Jackson on a Road Trip

I'd like to welcome Jim to my Travels again today. He was one of my first Guppy critiquers and, years later, followed me to become the president of that incredibly helpful group. Here he talks about using location in fiction.

First, here's a bit about him and his successful mystery series:
James M. Jackson authors the Seamus McCree mystery series. ANT FARM, BAD POLICY, CABIN FEVER, and DOUBTFUL RELATIONS (8/23/16). Jim splits his time between the deep woods of Michigan’s Upper Peninsula and the open spaces of Georgia’s Lowcountry. He is the current president of the 600+ member Guppy Chapter of Sisters in Crime. You can find information about Jim and his books at http://jamesmjackson.com.


Taking Fictional Characters on a Road Trip


One of the great divides in the writing community occurs in choosing locations for their stories. Some prefer the freedom of creating their own communities where every street, every business, every stop sign is there because they created it. Some of them do such a great job that I want to visit, if only I could. Those authors are concerned with consistency. Even if they don’t remember there is a left-turn-only lane going from Broad to Main, their readers will, and if it disappears in a later book, the author will hear about it.

Other authors prefer to set their stories in real places, with perhaps a few modifications so bodies don’t turn up in real businesses. Many readers get a charge when they’ve been to a location used in the book. It shares a communal bond between them, the author, and the characters. But woe to the author who has the sun directly in the eyes of a character driving on what locals know is a north-south street. A hot email is about to arrive.



Some authors blend the two. Louise Penny comes to mind as one who created the village of Three Pines that so many want to visit but also uses actual places in cities like Quebec. As an aside, I visited Quebec City this summer with one of our granddaughters, and she chose to tour the Morrin Centre. I walked in having totally forgotten about its role in Penny’s Bury Your Dead and was transported back to the story. That’s the power of real locations.


The Seamus McCree novels use (mostly) real locations and for Doubtful Relations I decided to have Seamus and his mother take a road trip. Some people are happy to research settings using the internet. I prefer visiting the places I use. When you read about Seamus’s home in Cincinnati, or the hotel he stays in Columbia, SC, or Tybee Island near Savannah, or North Carolina’s Outer Bank, or the hills and train stations of New Jersey, (all of which are in Doubtful Relations), I’ve been there, quite possibly with my camera to keep my memory accurate. 

 



Personal visits do not solve all problems. For example, a beta reader sent me an urgent note that a Cincinnati restaurant I used for a scene no longer exists—in fact the building has been torn down. I actually knew that, and fortunately Doubtful Relations is set a few years in the past, when the restaurant did exist.

So readers, what about you? Do you prefer real locations or a well-crafted fictional locale? And how do you respond when you find a factual error in a novel?

Jim's latest!


Financial crimes investigator Seamus McCree has wife problems, and Lizzie’s not even his wife anymore. Her current husband disappeared while traveling, and Lizzie turns to Seamus for help.

Equal parts road trip, who done what, and domestic thriller, Doubtful Relations takes psychological suspense to a new level. Seamus McCree fans and newcomers alike will delight in this fast-paced novel that leaves no one in the family unchanged and keeps you guessing until the very end.

Wednesday, April 9, 2014

James M. Jackson's Travels

I'd like to welcome Jim Jackson to my travels today, telling about HIS recent travels. Jim and I share a publisher and have shared our manuscripts for many years, so I'm happy to give him space to tell you what's happening with him. Be sure and check the links at the end of this post! Now, here's Jim:


To promote the April 8th publication of CABIN FEVER, I signed up for Left Coast Crime (LCC) this year. Since we are currently without pets and Jan and I have enjoyed train travel, we decided LCC was a great excuse for a train trip. 


If you don’t care about our itinerary, skip the next two paragraphs.

Briefly, our trip included six trains; we took sleepers the whole way. The first stage was overnight from Savannah to Washington, DC, arriving early in the morning. We walked all over the city and returned to Union Station in time to catch a late afternoon train to Chicago, which again arrived in the morning. Since we’d rather be outside than in, even with cool temperatures and a brisk wind, we walked down to Lake Michigan and back before catching a mid-afternoon train from Chicago through the Rockies. Two plus days later brought us to Emeryville, CA (outside San Francisco). We rented a car and drove to Monterey for LCC. After the conference we took a day afterwards for hiking in Yosemite before returning to Emeryville to start the second half of our trip.

From Emeryville we took a daylong train to Los Angeles, stayed overnight in LA and spent the following day walking around the LA Zoo. That night we boarded our train to New Orleans, which arrived two nights later. After a whole day enjoying New Orleans, we caught our last train of the trip the following morning and got off in Birmingham, where we rented a car and drove home to Savannah.

The total trip lasted fifteen days, and we thoroughly enjoyed it. One aspect of train trips I appreciate is that they take me through the back yards of these United States. Some backyards can be depressing: filled with trash, generations of rusting autos, graffiti-tagged corrugated fences, backs of derelict buildings. I remember on trips decades ago seeing vast piles of tires. Those disappeared once we understood their recycling value; perhaps we’ll find ways to recycle the rest of the junk we throw away.

Other aspects of America’s backyard are awesome (I stole that word back from my grandchildren). Some great naturalist (i.e. I can’t remember who or the exact quote) said that the only way to explore a place sufficiently well to know it, is to travel by foot. To really understand a particular locale, he’s probably correct, but to obtain an overview, trains are great. You sit higher up than when driving and don’t have to worry about traffic and such. The plains are vast, the mountains soar, the valleys burst with flowered fruit trees.


With all those beauties, where did my heart beat fastest? Watching a mountain creek or river work its way down a narrow valley. Seeing ducks or swans swimming undisturbed in a remote lake. And above all, watching a deciduous woods slip past my window bathed in the slanted daylight of the hours just after dawn or before dusk.



BIO AND LINKS:
JAMES M JACKSON authors the Seamus McCree mysteries, BAD POLICY (2013) and CABIN FEVER (April 2014). BAD POLICY won the Evan Marshall Fiction Makeover Contest whose criteria were the freshness and commerciality of the story and quality of the writing. Known as James Montgomery Jackson on his tax return and to his mother whenever she was really mad at him, Jim splits his time between the Upper Peninsula of Michigan woods and Georgia’s low country. He has also published an acclaimed book on contract bridge, ONE TRICK AT A TIME: How to start winning at bridge (Master Point Press 2012).

His website is http://jamesmjackson.com. Jim has updated purchase links to online sellers at http://jamesmjackson.com/Novels/cabin-fever.html

Wednesday, March 20, 2013

Guest Post: The World According to Birders


I totally goofed up today and did not post my guest blog for James M. Jackson! He got it to me in plenty of time and neglected to post this! I can't not do it, though. You'll LOVE it. Here's a bit about Jim:

JAMES M JACKSON is the author of Bad Policy for Barking Rain Press. Known as James Montgomery Jackson on his tax return and to his mother whenever she was really mad at him, he splits his time between the woods of Michigan’s Upper Peninsula and Georgia’s low country. Jim has published a book on contract bridge, One Trick at a Time: How to start winning at bridge, as well as numerous short stories and essays.

Please visit http://jamesmjackson.com/Novels/novels.html where he has a continuing updated list of places that carry the book and http://bit.ly/146LaXR where people can read the first 4 chapters and get a 35% off coupon from Barking Rain Press.



Now, here's his post~~~~~

I have been a birder (note, not bird watcher) for over 35 years. Most birders keep lists: a life list of all the different birds they have seen, state lists, county lists, backyard lists (where I spotted this red-shouldered hawk). Many keep total lists as well as lists for each year. I was the same way for the first half of my birding life, but since then other interests have captured more of my time and attention.

My partner, Jan, and I love road trips. For me, there is nothing like seeing a biome first-hand to start to understand its history, its people, and yes, its birds. Neither one of us had been to the Rio Grande valley. 
This January we rectified that gap in our experiences.

While we enjoy road trips on our own, I know I learn more about a region using professionally guided field trips. In addition to the guide there were eight of us on the tour. Jan is not a birder. She enjoys seeing the geography, loves walking outdoors and prefers looking at ducks because they are big and stay still. Those LBJs (little brown jobbers) that flit from perch to perch, hiding behind leaves are not very interesting to her.

One of our other members was a new birder. Several had been in the area several times and had joined the trip in hopes of seeing two or three specific birds they had previously missed. My rusty skills left me in the middle of the pack between these two extremes. And frankly, these days I would just as soon spend an hour watching a robin working over a pile of leaves for a morsel as see a brand new bird. But truth be told, I would not drive hours to see a robin, but I would for a new-for-me bird!



One of the things I do when I’m not out looking at birds is write. It’s one of the reasons I enjoy seeing different parts of the country. I won’t place a character in a locale if I don’t have some experience there.


If the birding is slow, I start to think about how a story might fit a particular local. For example, the Rio Grande is not very wide and the Border Patrol folks travel the river in high-speed boats you can hear ten minutes before they arrive. So smugglers…

Or I start thinking about how characteristics of the people I’m traveling with might flesh out a story. Some people are like the long-billed curlew above right or the common pauraque above left, whose camouflage makes it seem one with the environment. You need to look closely at the curlew picture to see how long its bill is. And if you don’t already know where the bird is, you may never spot it in the field, even though it’s almost two feet tall. If someone had not pointed out the common pauraque I would have passed it by.

Others stick out like this green kingfisher. They wear bright colors as if to say, “Look at me! Look at me!” When we do look closely, we notice the mud on its bill from capturing a tasty morsel from the mud.

Some just want to be left alone, like this yellow-crowned night heron trying to ignore me while I took its picture. Some, like this scaled quail, have no clue of the impression they make on others as they go about their business.


Now being a birder is not without its problems, one of which is being engrossed in a movie when from the middle of an Amazonian jungle comes the haunting ululation of a common loon. The call might be perfect for the mood of the scene, but someone would have to kidnap a common loon to get it to visit a South American jungle. It’s North American and prefers open water.

Sometimes the sound techs will get a bird in the right habitat, but wrong season, and I’ll hear a warbler signing its mating song in the middle of winter.

I use my love of the outdoors and of birds in my writing. None of my characters, so far, has been an avid birder. Seamus McCree, the protagonist of my mystery Bad Policy, does enjoy birding and often makes references to birds.

For example, Seamus’s girlfriend (a bodyguard) has been away on business for a long time and Seamus is wondering what their status is but hasn’t figured out how to resolve the situation. He takes a run in a nearby park and the comparison between his life and what is natural slaps him in the face.

On my run, I purposefully slowed my pace and added a loop to include Burnett Woods, where the trees sang with spring bird migration in full swing. Coupling was in the air and in the woods. I was having difficulty putting one foot in front of the other. If you don’t like the way things are going, I chided myself, do something different.

Seamus also uses his grounding in bird nature to make comparisons. He and his son are eating. He has no appetite because someone has just been killed. Not so his son, Paddy.

Paddy, who still had the metabolism of a hummingbird, eyed my plate and at my nod swapped his empty one for mine.


We learn Seamus feeds birds in this sequence when he is being interrogated by the police and first finds out why they have taken him in for questioning.

“When were you last in your basement?” [the cop asked]
“My basement? I have no clue. Maybe to get food for my bird feeders? Tuesday? Wednesday?” I wracked my mind trying to piece together the last week, but my sleep-deprived brain didn’t work. “Look. I’m tired. I’m hungry. I want to help because whatever you’re investigating, I didn’t do it. Is Abigail okay? What happened?”
Lewis snapped his fingers at the sergeant who brought over a 4x6 print, which he laid face down on the table between Lewis and me.
“Go ahead,” Lewis said. “Take a look.”
I searched their faces for a clue, but they sported flat cop eyes—daring me to turn over the photo. Instinctively, I picked it up by its edges. Not that I didn’t trust them…actually, I didn’t trust them. For whatever reason, I mentally counted to three before flipping the print over. I gagged. A nude man, his face blown away by a shotgun blast, elbows, knees, and ankles shattered, burn marks on his chest, sat in my basement on one of my porch chairs. Orange adjustable straps, just like the ones I owned, held his body to the chair.

All those scenes from Bad Policy took place in the Cincinnati area where we lived for many years. Now that we’ve visited the Rio Grande Valley, I might be able to add a future scene from that area—as long as the point of view is from a character who hasn’t spent much time there. If the character actually lived in the area, I’d have to go back and study it more---hmm, that’s not such a bad idea…


 ~ Jim