Showing posts with label #mysteries. Show all posts
Showing posts with label #mysteries. Show all posts

Wednesday, December 7, 2022

How are you holding up?

 

12 7 2022

 





The holidays are a joyful time for many and extremely difficult for others.

 



 

For those who have a hard time, people can give you a lot of recommendations, can’t they? Get into the spirit! Decorating will make you feel better! And lots of others. I happen to get benefit from being with other people. I love holiday crowds. But I’m not everyone!

 

 

I found this article in Psychology Today about why meditation doesn’t work for everyone. It impressed me. It lists 5 conditions that make meditation difficult, even harmful. Take a look if you’ve found no benefits from medication.

 

https://www.psychologytoday.com/us/blog/when-kids-call-the-shots/202212/why-meditation-doesn-t-work-everyone

 

 

One this those of us with depression are good at is hiding it behind a smile. You never can tell what a person is thinking or feeling, just by looking.

 



 

The end is the part I like: finding your own form of meditation. Like the guy who lost himself in his carving, I can lose myself in my fiction. I never realized it before, but writing is my meditation. I mean, I’ve always known that I’m in better mental health when I’m writing, but I’ve never put it that way. I know some people exercise to stay sane. Do you have anything similar?

 



 

I expect to have a very good Christmas. There will be 5 grandchildren present. That’s a formula for happiness!

 


***I’ll note that this is being posted on Pearl Harbor Day. I don’t want to ignore it.



The illustrations are all from pixabay.com

 

 


Thursday, August 4, 2022

DEATH IN THE NEW LAND

 

DEATH IN THE NEW LAND

 



          

It’s out, the third book in this series! And doing well! I’d love for everyone to buy a copy, of course, but I have a stack of them on my dining room table and can give one away to one of you! Just leave a comment below and I’ll pick a winner on Friday night.

 

 What’s it about?  Enga Dancing Flower and her tribe of Neanderthals have reached a place they can stay in safety. Or have they?

 

It’s clear the groups of other settlers in the area do not want more neighbors, and this is made even more evident when a male of Enga’s tribe is murdered, and a baby is kidnapped.

 

 

The future of the tribe is immediately put into question. Can Enga and her people find the killer and rescue the baby? Or will the security and bright future the tribe has dreamed of fall to pieces?

 

Where is it?

It’s available everywhere books are sold. It can ordered from your local bookstore. But here’s an extra dead:

If you buy the paperback from Untreed Reads, you can get my short story "The Bavarian Krisp Caper" free! There’s a special discount if you pick up all three paperbacks at one time.

https://www.untreedreads.com/author/kayegeorge/URP/7/

 

APPEARANCES: 

All of my appearances for this launch have had to be virtual. But there are several reviews and interviews. I’ll list them again here.

 

REVIEW:

by Amber Foxx, who writes the Mae Martin Psychic Mysteries, no murder, just mysteries, and lives where this book takes places, in what is now New Mexico. Here’s the link to her review: https://amberfoxxmysteries.com/2022/07/07/a-new-mexico-mystery-review-death-in-the-new-land-by-kaye-george/

 

 

GUEST BLOG:

At Ladies of Mystery. I try to answer the question about my main character: Where Did Enga Dancing Flower Come From?

https://ladiesofmystery.com/2022/07/16/guest-blogger-kaye-george/

 

 

GUEST BLOG:

This one is for Lyrical Pens, where cj petterson has been kindly posted about my upcoming release about my motivation for writing this series. Please check out her books, too!

https://www.lyricalpens.com/2022/07/a-guest-post-by-author-kaye-george.html

 

 

 

INTERVIEW:

George Cramer hosted me at https://gdcramer.com/2022/07/21/kaye-george-cozy-traditional-mystery-and-prehistoric/ where I answered his fun interview questions. He’s an author, a PI, and Native American of Karuk descent. His debut novel, THE MONA LISA SISTERS, came out in 2020.

 

INTERVIEW:

On the 24th Amber Foxx also interviewed me. She wanted to know all about how and why I write this series. https://amberfoxxmysteries.com/2022/07/24/a-new-mexico-mystery-author-interview-kaye-george/

 

 

DRU’S MUSINGS WITH ANOTHER GIVEAWAY!

Then, to cap things off, my main character, Enga Dancing Flower, will tell you about her day at Dru’s Musings on August 5th. Come over that day for a giveaway! It will run from 8/5-8/8,

https://drusbookmusing.com/

 

 

 


 

Wednesday, January 16, 2019

Projects, Projects, Projects!


I always think it’s better to have too much work than not enough. Maybe that’s why I get myself so involved in projects.



I’m very happy that my new agent is trying to find a home for a series I dreamed up awhile back, the Texas Festival Mysteries. I envision my sleuth driving her Cookie Cart (a cookie food truck) from one Texas festival to the next, selling cookies that are themed to the celebration. Let me tell you, Texas has enough strange and wonderful festivals to keep that series going for many years to come. Like this one!


Meanwhile, I turned the second Vintage Sweets mystery, DEADLY SWEET TOOTH, in to my editor at Lyrical Press. That series will also take place in Texas, but will mostly stay rooted in lovely touristy Fredericksburg, nestled in amongst a lot of wineries in picturesque Texas Hill country.

Meanwhile, I’m working on a short story to submit to an upcoming anthology with a deadline looming very soon.



Meanwhile, I need to tell you about an exciting event coming up the last Sunday of this month—a radio broadcast about me! A short piece about me and my work will be read by Jody Sims on WUOT, the local public radio station. The program is called TheAuthors Page and comes on at 8:35 am EST. But don’t worry, they shows are all recorded and can be heard any time.

Most of the programs are about famous TN writers. These were written by the member of the Authors Guild of Tennessee, of which I’m a member. (I wrote one of the scripts that will appear later.) Check out some of these while you’re there. The broadcasts are short, about five minutes. The last Sunday of the month, however, is devoted to telling you about the members of our group. And mine is coming up this month!

 all photos are mine


Wednesday, October 24, 2018

Magna Cum Murder


Last week I previewed what I’m writing about this week. After the fact, I can tell you lots about this adventure.



I make it a point to visit a new (to me) conference every one or two years. Malice Domestic is my mainstay since at least 2006, but I’ve also gone to a couple of Left Coast Crimes, Mayhem in the Midlands, Murder in the Woods (that may not be the right name—it was in Boise ID), a few Killer Nashvilles, two Writer Police Academies, Murder in the Magic City, Alabama Writers Conclave, and one in Plano whose name I don’t remember.

Online I’ve done one Poison Pen Webcom and Mystery Thriller Week.

So this year, my new one was Magna Cum Murder in Indianapolis. I was talked into it by Margaret Hamilton, who met me there. It was our first face-to-face meeting after knowing each other online for quite some time. As you can see, from the number of conferences above, I know quite a few writers who go to them. It was VERY fun to see some that I already knew, plus meet some I knew only online, and also to meet brand new writers and others, as well, I hadn’t known at all.

The venue was the Columbia Club, which, I was told, is NOT a hotel. It was stressed to me that I should not tip the waitstaff since they’re paid better than normal. I didn’t tip the maid either, and I hope that was okay!



A man in the lobby, who worked there, told us the history of the place. He said it was the third building on the site. One previous one was used by Benjamin Harrison to stage his campaign rallies. The present edifice was built in 1924 or 1925, before The Crash. It’s over the top ornate in the wood and plaster carvings. The lobby holds a piano that was played by Hoagy Carmichel, a table that was in the oval office of Harrison, and a huge golf trophy with an interesting history. An “obscene” history, our guide said.

The trophy was given to the winner of a golf tournament held each year between the Columbia Club and the Indianapolis Athletic Club. Each year, the winner made the trophy larger, until it’s now taller than a person. In 1935, a woman from the competing club draped her diamond necklace on it. When The Columbia Club won it, they took it home, diamonds and all, and quit the tournament, retiring the trophy to their lobby! That does seem pretty underhanded.  


Anyway, the conference was held Friday through Sunday, October 19-21 and the panels were all well done and well attended. I was on two of them. Down These Mean Streets, with a PI theme, during which I discussed my Imogene Duckworthy PI spoof series. The panel was moderated by M. Ruth Myers and done by me, Terence Faherty, Dianna Collier, and Jim Doherty. The others knew a LOT about the history of PI novels.
Down These Mean Streets taken by Elaine L. Orr



My other panel was called The Mists of Time, about historical fiction and, in my case, prehistory. Moderated by Fedora Amis, the rest of us were Caroline Todd, Albert Bell, and Bradley Harper. 

Reavis interviewed by John Gilstrap
Peter Lovesey at the banquet
Guest of honor was Reavis Z. Wortham (with whom I’m privileged to share pages in the first Austin Mystery Writers anthology, Murder on Wheels.

International guest of honor was Peter Lovesey.


Unfortunately, I had to attend in a surgical Cam Walker boot, but had a blast anyway. Karen Maslowski and I amused ourselves in the bar one night. I also dined with Molly and Andrew Macrae, Susan McDuffie, and two friends of Molly's Friday. 
Friday dinner, Julia Kellman, Susan McDuffie, me, Molly MacRae, Andrew MacRae, and Phil Miller



Me and Karen Maslowski
And a few more pix.
Joe, T'Gracie Reese, and me

me with Susan McDuffie
 

Me and Bradley Harper on The Mists of Time

Wednesday, September 26, 2018

Guest Judy Penz Sheluk with news about an upcoming relase!


I'm excited to welcome Judy to my travels today with news about a new book, available now for preorder!
Traveling on the T.S.S. Canberra Greek Line

by Judy Penz Sheluk
Okay, I’ll admit it, the title of this blog post is a bit misleading, since I’ve never personally traveled on the T.S.S. Canberra, and in fact, the ship only sailed for the Greek Line from 1948 to 1956. But my mother, Anneliese, emigrated from England to Canada on that ship in July 1952, ready to start a new life in Toronto with her fiancé, Anton (Toni) Penz. Both had moved to England soon after the war ended (my father from Apatin, Yugoslavia, now Serbia, my mother from Stettin, German, now Szczecin, Poland).


Now here’s the thing: while I knew my parents had met shortly before my father was set to immigrate, I never knew what ship either one of them had come over on. They just didn’t talk about their lives before coming to Canada, and I suppose I didn’t ask. When my father passed away from stomach cancer in 1970, any stories he had died with him. As for my mom, she still wasn’t talking.

On September 21, 2016, my mom died after a lengthy battle with COPD. And there, at the back of her closet, was a blue and cream leather train case, the sort of case you’d have traveled with in the 1950s. Inside there were, among other things, immigration papers, death certificates for her mother, my father, as well as a document from the T.S.S. Canberra; she’d embarked at Southampton and disembarked in Quebec City, Quebec, where she took a train to Toronto. 


The writer in me had to learn more. I began by contacting the Canadian Museum of Immigration at Pier 21 in Halifax, Nova Scotia, as well as a good friend, a longtime collector of ocean liner memorabilia.

Bit by bit, I was able to weave a tale about a woman named Anneliese Prei who immigrated to Canada in 1952 to be with her fiancé, only to be murdered four years later. That tale morphed into Past & Present, the second book in my Marketville Mystery series, and while it’s a work of fiction, my protagonist, Callie Barnstable’s, findings and frustrations with digging through the past come directly from my own research. It seemed only fitting to dedicate the book to my mother, and to release it on September 21, 2018, the two-year anniversary of her death. Here’s a bit about it (and yes, there’s also an Anton in the book):

Sometimes the past reaches out to the present...

It’s been thirteen months since Calamity (Callie) Barnstable inherited a house in Marketville under the condition that she search for the person who murdered her mother thirty years earlier. She solves the mystery, but what next? Unemployment? Another nine-to-five job in Toronto?

Callie decides to set down roots in Marketville, take the skills and knowledge she acquired over the past year, and start her own business: Past & Present Investigations.

It’s not long before Callie and her new business partner, best friend Chantelle Marchand, get their first client: a woman who wants to find out everything she can about her grandmother, Anneliese Prei, and how she came to a “bad end” in 1956. It sounds like a perfect first assignment. Except for one thing: Anneliese’s past winds its way into Callie’s present, and not in a manner anyone—least of all Callie—could have predicted.

 Past & Present is available in trade paperback everywhere, and on Kindle at the special introductory price of $2.99 (reg. $5.99). Find it: http://authl.it/afj

About the author: Judy Penz Sheluk is the author of the Glass Dolphin Mysteries (The Hanged Man’s Noose; A Hole in One) and the Marketville Mysteries (Skeletons in the Attic; Past & Present). Her short stories appear in several collections.

Judy is also a member of Sisters in Crime International/Guppies/Toronto, International Thriller Writers, Inc., the South Simcoe Arts Council, the Short Mystery Fiction Society, and Crime Writers of Canada, where she serves on the Board of Directors, representing Toronto/Southwestern Ontario.

Find her at www.judypenzsheluk.com.










Postcards from the T.S.S. Canberra (known as the T.D. Canberra in German)

Thanks for posting with my Travels today, Judy. Good luck on sales for the new novel--it sounds very good!


Wednesday, March 14, 2018

Drinking with Novels


This very long post was inspired by this article I read a few months ago. It seems that John Cheever said, “The excitement of alcohol and the excitement of fantasy are very similar.” I don’t know that I buy into that, but I think mixing alcohol and books sounds like fun.

Here are my selections for my own work.






Imogene Duckworthy mysteries

CHOKE
Since the guy died with a sausage stuffed down his throat, a good German brew should go nicely. Berliner Weisse might do nicely. It’s supposed to be tart and tangy, somewhat as I picture Imogene Duckworthy.






SMOKE 

Smoked pork is prominent in this book. This Italian wine should do nicely—Tenuta Delle Terre Nere, “Etna Rosso” 2014. The reference to Etna fits nicely with the book’s theme, too.

BROKE
A Halloween story with a ghost, so naturally, you’d have to sip some form of cider, right? The ABGB in Austin serves Texas Keeper and Argus hard ciders. It would be best to visit them for this. If you do, say HI to my son, night manager and barkeep. (Or try any of the beers they make there.)






On to my next series, Cressa Carraway Musical Mysteries

EINE KLEINE MURDER
How about mixing up some Gluehwein? It’s appropriately from Austria, Mozart’s country, since my title is taken from a Mozart piece I’ve played about a thousand times and still love.
Here’s the recipe adapted the site below:
GLUEHWEIN

Ingredients
2 bottles red wine, possibly Cabernet Sauvignon or Pinot Noir, 750 ml. each
2 cups water
2 lemons sliced
2 cinnamon sticks
3 cloves
2 oranges peeled and diced (cut peels into thin strips and save)

Instructions
Combine all but orange pieces in a large pan and bring to a simmer.
Add the orange pieces and simmer until everything smells good, 10-15 minutes.
Remove cloves and cinnamon sticks before serving.
Add a thin slice of orange peel to each glass before serving.

REQUIEM IN RED
This calls for some memorable. Since the Irish know how to do wakes, I’ll go with an Irish shooter. Recipe included in the link.

Next series! This one is a bit more difficult, the People of the Wind series, featuring Neanderthals and set 30,000 years ago. I’m not sure that they had fermented drinks, but let’s pretend they did.



DEATH IN THE TIME OF ICE
Something to keep you warm while you read this. I nearly froze to death writing it. An ancient Indian rice drink, sura, may warm the cockles of your heart. I don’t think you can get this anymore, but you can’t get Neanderthals any more either. Maybe mead would be a better choice. It was drunk in ancient Greece.





DEATH ON THE TREK 

This calls for a portable drink, since the tribe is trekking for the whole novel. The article below suggests bringing along two, a mixture of herbal gin and chartreuse for lighter passages, and whisky with vermouth for heavier chapters. A good flask is, of course, important.






My cozy Fat Cat series calls for lighter fare. Chase Oliver likes plain wine, but let’s get more imaginative here.
FAT CAT AT LARGE
A white wine spritzer is my choice for finding the bodies in this book.








FAT CAT SPREADS OUT

Quincy gets into all kinds of trouble at the fair in this book. You can’t S’mores beer by Giggles from the Minnesota State Fair.

FAT CAT TAKES THE CAKE
What should you have with cake? Punch! It should be a red one to match the cover.







There! I’ve covered all my novels so far.

What will you drink with your reads?

photo from Morguefile.com

Wednesday, March 7, 2018

Adventures with Covers







I’ll give the ending first. All of my covers have turned out great. I consider my covers as one of my main tools for selling my books. My publishers hire people to do my covers, mostly with my input, and sometimes I get to approve the finished product—sometimes not.

There are funny stories behind my two of my covers. They might amuse you, so I’ll put them out there.

First, my first Imogene Duckworthy mystery, CHOKE. It was not the first novel I wrote, but it was the first one I got published. I was in such a tizzy about actually getting a novel published, that I fluffed a bit. I said I needed an orange truck on the cover. I thought that would be colorful and, I was thinking, it’s a big part of the plot. It would tie in to the story without giving anything away.

Keep in mind that, while the first one was getting situated to come out, I was writing the second one, SMOKE. Embarrassing discovery: there is an orange truck in the second novel. There is none in the first one. It’s easy to be confusing when you’re finalizing publication of one novel while you’re writing another one.

It wasn’t until the dang thing came out that I realized what I’d done. One of my friends, I think it was Janet Bolin, said maybe it could be a device—using an element of one book on the cover of the last one, staying one book ahead.

CHOKE eventually was nominated for an Agatha Award for Best First Novel, so everything turned out fine!

I MUST give credit to Karen Phillips for the covers of all three of the Imogene Duckworthy mysteries. I can’t recommend her highly enough if you’re self-publishing.





My second story also has a happy ending, but there was panic for a short time. I had finished the third Fat Cat book, FAT CAT TAKES THE CAKE, for Berkley Prime Crime, handed it in, and was busy sketching out plots for the next three books. (That’s a sad story that’s been told elsewhere) http://janetcantrell.blogspot.com/2016/09/some-news-about-fat-cat.html

My agent sent me a preliminary copy of the cover. I was shocked at the title AND the cover. I asked her if it matters that there is no cake in the book. She thought it would be okay, but I didn’t. I quickly rewrote some passages and was, fortunately, able to make cake a major part of the plot by changing just a few things. I like all three of the Fat Cat covers, but I think this one gets the most notice.




Do you have any interesting cover stories? No, not that kind, just stories about your covers? (You’re safe with me, I’ll never blow your cover.)


Wednesday, January 31, 2018

A Book by Any Other Name?

People sometimes ask me how I pick my book titles. (They never ask how I pick short story titles, but those are just as hard.) The answer, for the books, is that sometimes I do and sometimes I don’t. For the short stories, I’m guilty in all cases. All those titles are mine.

For instance, EINE KLEINE MURDER started out life as SONG OF DEATH. After it was picked up by Barking Rain Press, the title was changed to suit the publishing house. If you look at their mystery/crime publications, you’ll see that there are no titles that contain the word “death.” Several do contain “murder,” so that was more acceptable to them. REQUIEM IN RED started out as REQUIEM FOR RED. I wanted the reader to have to guess which redhead would get murdered as they started into the book, but the publisher didn’t think it worked, so it was changed. I have picked out the third title, SWAN SONG, so we’ll see if that flied—after I finish the book.



My Imogene Duckworthy series has one word titles, CHOKE, SMOKE, and BROKE. I chose these titles myself and was working under the theory that long works should have short titles and short works should have long titles. This is also the reason I named my Agatha-nominated short story HANDBASKETS, DRAWERS, AND A KILLER COLD. I wish I could remember where I read that, about long and short titles, but I remember I liked the idea and try to use it, although I don’t always succeed. (Fourth one will be STROKE.)


My People of the Wind Neanderthal titles are also mine and were liked by Untreed Reads, the publisher: DEATH IN THE TIME OF ICE and DEATH ON THE TREK. (Third one will be DEATH IN THE NEW LAND.)


The Fat Cat books were titled by the publisher. I suggested many titles for the first one, all of which were rejected in favor of FAT CAT AT LARGE. I had a title I loved for the second one, but they had to have a shorter one because of the fat, puffy font they’d gone with. For book two, I liked FAT CAT GETS HIS LICKS, but it is now FAT CAT SPREADS OUT. The title of the third book FAT CAT TAKES THE CAKE (changed from FAT CAT IN A PINCH), gave me pause. The cover was given to me and there was cake on it! However, there was no cake in the novel. I asked them if that was a problem and they didn’t think so. I did, though, so I stuck in some cake and (spoiler alert) managed to make it part of a vital clue.


One thing that I try very hard to do for a series is to have titles that go together, ones that reader can tell are part of the series. One series has titles that rhyme (--OKE). In another, they all begin with the word DEATH; another, they all start out FAT CAT; the classical music series titles all invoke music. None of mine are as clever and Sue Grafton’s alphabet books or Janet Evanovitch’s number titles. But they’re mine and I like them all!


Wednesday, April 20, 2016

Excerpt from REQUIEM IN RED

I'd like to offer you a taste of my latest mystery today. I'm excited about this second Cressa Carraway Musical Mystery! It's a bit different than anything I've done before. Here's the beginning of the novel: (look for order sites at my web page)



I glanced in the tiny, cracked mirror that hung just inside the stage ­curtain. My straps weren’t showing. My plain brown hair lay reasonably compliant, and there was no food in my teeth. Examining myself in mirrors was unusual behavior for me. But then again, this wasn’t a usual night.
The voice onstage droned on and on. “…our own. She’s studied hard and achieved stellar grades in the music graduate program here at DePaul University. This piece is her first chance to conduct a full symphony playing her own original composition in front of a live audience.”
The announcer thundered the last phrase. “And so I ask you to welcome, Cressa Carraway!”
My introduction had ended. The polite, mildly-interested applause had died out. It was time.
I squared my shoulders and stepped into the footlights, squinting a bit at the harsh glare. This was my debut. The moment I’d waited years for. Just past the curtain, I paused and gave the audience a slight bow, then continued to the podium. Thank God I didn’t trip climbing onto it. I hoped they wouldn’t be able to see my heart thumping through my new black dress.
I gave another nod, this one to the concert mistress, who rose and cued the oboe to give the pure 440 concert A. After the orchestra was tuned and the first violin player was reseated, I opened the score to the first page and picked up the baton.
Fifty-four eyes bored into mine, waiting.
Deep breath. Another one.
The baton shook slightly in my hand, but not too bad.
I was about to conduct the symphony I’d written for my master’s thesis in music composition. I’d named it “Affirmation” and dedicated it to Gram—my grandmother—who had encouraged me to pursue the career I wanted in classical music. Gram was dead, but she would live through my music. I drew one more breath, let a nervous smile spread across my face, and started conducting.
Time receded and the music took over. There was nothing but the music, and it was happening. My music was happening!
Half an hour later, the three-movement piece was done.
I cut off the final chord with a flick of my wrist. My hands no longer shook. The baton was steady. I gave the orchestra a grin to show my appreciation and turned to face the audience.
In the split second after I turned, paralyzing fear spun my mind in whirls. What if they didn’t applaud? What if they hated it? Would anyone boo? That half-second took an eternity. My public face, I was sure, looked like a Halloween house mask—a stiff grimace below widened, frightened eyes.
Then the sound of clapping started. I relaxed my face muscles into something more human. Three people in the first row jumped to their feet and many followed suit. One person yelled, “Brava,” then another.
I bowed twice, then stretched my hand out to include the musicians in the ovation. What a great feeling!
It was over. I had premiered. I had debuted. I had done it. Cressa Carraway was a symphony orchestra conductor.
# # #
Maddy Streete studied the thin young woman who had been holding her wine glass for at least fifteen minutes without taking a sip. The woman hadn’t had a chance to get a plate of goodies either. The long table held chocolate-dipped strawberries, grapes, petit fours, and other delicacies Maddy hadn’t even explored yet.
Poor thing, thought Maddy.
Maddy watched Ms. Carraway, who wasn’t imposing, like some conductors. She was unremarkable looking, medium height, medium-brown hair. But she was as poised as she had been at the podium while she accepted congratulations on her success in the auditorium tonight. Maddy made her way across the reception room in the lower level of the concert hall. As she reached the conductor, two of the people around her left, leaving Maddy a clear field.
“Hi, I’m Maddy, Madison Streete.” Maddy stuck out her hand and they shook. Cressa’s hand was cold, but her grip was sure.
“I’m sorry for my cold hands. Madison Streete?” Cressa looked confused.
“I know.” Maddy laughed. “I’m not sure what possessed me to marry a man named Streete. I sound like I should be driven on in downtown Chicago when I use my full name. My name has an extra ‘e’ on the end, so I’m not exactly the street.”
Cressa laughed. “I think it’s a great name, Madison. I was just trying to place you. You’re the one I wrote to about the job in Minnesota.”
“Please call me Maddy. Yes, and I’d like to talk about the job. Can we go somewhere to talk after this?”
Cressa looked apprehensive. “Sure, I’d love to.”
She doesn’t know if she’s going to be accepted or turned down, Maddy thought. Maddy smiled to set her at ease. “I like your style. Can you come to Minnetonka to audition?”
Maddy was glad she’d made the trip to Chicago to hear the concert. She had a feeling Cressa was just the person she needed.


Wednesday, February 24, 2016

Requiem is ready for preorder!


I’m very pleased to announce that REQUIEM IN RED, the sequel to EINE KLEINE MURDER, is ready for pre-order on Amazon! Other vendors will soon have it also.



Aspiring conductor and amateur sleuth Cressa Carraway returns for a second installment of music and murder in this fast-paced mystery from author Kaye George. Fresh out of grad school, Cressa lands her dream job as conductor of a fledgling ensemble in Minnesota that aspires to grow into a major orchestra.

Leaving her psychic friend Neek, boyfriend Daryl, and DePaul University behind, she quickly starts to wonder what she's gotten herself into. Cressa's new friendship with the first chair violinist of the ensemble, Maddy Streete, gives her an opportunity to sing in a dysfunctional church choir, and also leads to an organist gig in the church across the street.

While playing the organ helps supplement her meager conducting salary, it places her in empty churches more often than she'd like, forcing her to deal with homeless vagrants, drug paraphernalia-and corpses.


As she tries to make sense out of everything, Cressa digs deeper into the lives of her fellow musicians and newfound friends to uncover swirling currents of hatred, old wounds, bitter resentments-and unexpected information about the suspicious deaths of her own musician parents so many years ago. Can Cressa sort out the clues before she becomes the next victim?

Wednesday, January 6, 2016

A Bit of After Holiday Cheer


I don't usually use this space for advertising, but this is an exception. The first books in two different series are on deep discount all of this month at Untreed Reads!

That would be CHOKE, the first Imogene Duckworthy mystery and DEATH IN THE TIME OF ICE, the first People of the Wind prehistory book. They're each 99 cents!

If you'd like to try either of these series out, this is your chance. There are two more in the Imogene series and the second in the People of the Wind series will come out in June.